Euphonic Drive features five saturation and distortion circuits. A massive Fuzz modeled from a famous stompbox. The overdrive characteristics of a vintage small combo amp. The lo-fi distorted sound from the first head of a four-head tape echo. And the even and odd harmonic saturation modes found in a classic outboard compressor, arriving at launch.
Input and Drive combine to control how hard the input signal hits the saturation circuit. Limit works as a clean safety net when fully clockwise. Turning it counter-clockwise lowers its threshold and adds density and another clipping stage.
The tone section provides precise control over how much noise makes it into the circuit. An EQ shapes the sound, with each band capable of independent placement before or after the saturation circuit. A de-esser tames the abrasive frequencies that can be exaggerated under heavy saturation.
Frequency Split Drive separates the drive circuit into three frequency bands with independent Drive controls. When this mode is engaged, the lows, mids, and highs can all be saturated at different amounts. Saturate the highs and leave the lows alone. Boost the mids for cut. Add harmonics to bass frequencies. Experiment with something new.
Sections of this plugin are available as modules in the FX Console, where they can be wired to sections of any other effect.
Drive
Tube and tape saturation circuits from Euphonic Drive.
Fuzz
The fuzz circuit from Euphonic Drive, with a dry blend that stays phase-aligned.
Drive’s tone, de-esser and frequency-split sections can be rebuilt in the console with the EQ, De-esser and Crossover modules.
Available soon.
Notify me at launch
